In Goya's work, the monstrous, the ugly, and the unsettling become notions deeply intertwined with social class and gender, bringing his practice into dialogue with a contemporary understanding of how taste is constructed through an intersectional lens.
In Goya's work, the monstrous, the ugly, and the unsettling become notions deeply intertwined with social class and gender, bringing his practice into dialogue with a contemporary understanding of how taste is constructed through an intersectional lens.
This performance deliberately sought to "uglify" the models: dressing them in costumes, disrupting the runway experience with a soundtrack of shifting tempos that unsettled their walk, and staging a fantasy in which the illusion of beauty, aesthetics, and good taste ultimately collapses.
These ceramic pieces referred to good taste as a mutable and subjective construct, while simultaneously establishing a symbolic connection to the beauty found in the unexpected.
FOOTWEAR FOR THIS PERFORMANCE WAS PROVIDED BY DR. MARTENS COLOMBIA.
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